26 10 439 https://artevirtual.zamorano.edu/files/original/ae0669ac7c206445b23c0f975d3abaa5.jfif d365628829261193e7d3c0cfbdb2b761 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Solo, Pinto Rodezno Description An account of the resource Pintor Autodidacta que desde su infancia volcó su pasión, por expresarse a través del dibujo y la pintura, recreando escenas del acontecer diario, así como también rincones de la ciudad. La obra de Pinto Rodezno es de tendencia expresionista, ejecutada de forma directa sobre el lienzo, sin requerir boceto preliminar, empleando el borde de cartones rígidos para realizar las diversas tonalidades de colores, mezclándolos de manera totalmente espontanea e intuitiva, creando y desarrollando el tema de la obra al mismo tiempo, como ser, el paisaje colonial urbano del casco histórico de Tegucigalpa y paralelamente también realiza composiciones de carácter conceptual como lo es, "sistema de ciencias" donde adopta personajes virtuales e históricos como el Jesús bíblico y el Quijote de la mancha, etc. Uno de sus mayores recursos, es el contraste dentro de su temática y sus característicos elementos, así como también el contraste de colores, obteniendo y plasmando un estilo muy dinámico, intenso, original y espontaneo. Adjuntando su frase personal: "Yo no trabajo, solo Pinto Rodezno" Su primera exposición formal de pintura la realizó en 1987 en la ciudad de Tegucigalpa. Ha realizado exposiciones en diversos países y ciudades, como lo son: El salvador, Miami, Houston, Nueva York, Washington, New Orleans, Cuba, Brasilia, Río de Janeiro, Santiago de Chile, Barcelona, Ginebra, Seúl, Monte Real, Ottawa, Taiwán. Posee las distinciones de: 2do lugar, concurso mundial de pintura, Sociedad Italo australiana. Melbourne, Australia, 1998. Reconocimiento Banco Atlántida en su 100 aniversario, 2013. Reconocimiento Banco del país, 20 aniversario, 2012. Reconocimiento Juegos florales 2001. San Marcos de Ocotepeque. Creator An entity primarily responsible for making the resource Francisco Pinto Rodezno Date A point or period of time associated with an event in the lifecycle of the resource 2017 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Obra de arte Physical Dimensions The actual physical size of the original image 24 X 38 pulg. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Los espectadores Subject The topic of the resource Acrílico Creator An entity primarily responsible for making the resource Francisco Pinto Rodezno Date A point or period of time associated with an event in the lifecycle of the resource 2017 https://artevirtual.zamorano.edu/files/original/5ca17352522ee18950732a4312c12708.jpg 14eea3bf5a77e3f06086945ac0d44ee0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art on Campus - Paisajismo Creator An entity primarily responsible for making the resource Fotografías Alex Vásquez Lucy Barahona Sara Morel Vianka Tercero Sandra Ehrler Cinthya David Guity Pinturas Josué Venegas Ana Larios Maria Trujillo Vivian Flores Edwin Ponce Xochilt Ramírez Valeria Hinds Edward Zepeda Rafael Chávez Andrea Soler Alan Zepeda Gadiel Cárdenas Ana Troncoso Adolfo Callejas Date A point or period of time associated with an event in the lifecycle of the resource 2021 Type The nature or genre of the resource Paisajismo Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Los Nanzales, Sabana Grande Creator An entity primarily responsible for making the resource Josué Venegas Date A point or period of time associated with an event in the lifecycle of the resource 2021 https://artevirtual.zamorano.edu/files/original/91dddd0181f1698370cb5a0efe582a15.jpg 4b313cdeb2d5a6dec77fc1dc66fc25b3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art on Campus - Paisajismo Creator An entity primarily responsible for making the resource Fotografías Alex Vásquez Lucy Barahona Sara Morel Vianka Tercero Sandra Ehrler Cinthya David Guity Pinturas Josué Venegas Ana Larios Maria Trujillo Vivian Flores Edwin Ponce Xochilt Ramírez Valeria Hinds Edward Zepeda Rafael Chávez Andrea Soler Alan Zepeda Gadiel Cárdenas Ana Troncoso Adolfo Callejas Date A point or period of time associated with an event in the lifecycle of the resource 2021 Type The nature or genre of the resource Paisajismo Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Los Tres Hermanos Creator An entity primarily responsible for making the resource Josué Venegas Date A point or period of time associated with an event in the lifecycle of the resource 2021 https://artevirtual.zamorano.edu/files/original/311913245de4985dff67b9bf2cfc9d59.jpg e2abb47b1e9b59dd9e60883ab45c552b Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art on Campus - Paisajismo Creator An entity primarily responsible for making the resource Fotografías Alex Vásquez Lucy Barahona Sara Morel Vianka Tercero Sandra Ehrler Cinthya David Guity Pinturas Josué Venegas Ana Larios Maria Trujillo Vivian Flores Edwin Ponce Xochilt Ramírez Valeria Hinds Edward Zepeda Rafael Chávez Andrea Soler Alan Zepeda Gadiel Cárdenas Ana Troncoso Adolfo Callejas Date A point or period of time associated with an event in the lifecycle of the resource 2021 Type The nature or genre of the resource Paisajismo Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luna y Lobo Creator An entity primarily responsible for making the resource Alan Zepeda Date A point or period of time associated with an event in the lifecycle of the resource 2021 https://artevirtual.zamorano.edu/files/original/26ece1d0f807bbdc94faef39f1418d43.jpg 444b8bae01040e06b5205644384bf33c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art on Campus - Paisajismo Creator An entity primarily responsible for making the resource Fotografías Alex Vásquez Lucy Barahona Sara Morel Vianka Tercero Sandra Ehrler Cinthya David Guity Pinturas Josué Venegas Ana Larios Maria Trujillo Vivian Flores Edwin Ponce Xochilt Ramírez Valeria Hinds Edward Zepeda Rafael Chávez Andrea Soler Alan Zepeda Gadiel Cárdenas Ana Troncoso Adolfo Callejas Date A point or period of time associated with an event in the lifecycle of the resource 2021 Type The nature or genre of the resource Paisajismo Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luz al final del camino Creator An entity primarily responsible for making the resource Alex Vásquez Date A point or period of time associated with an event in the lifecycle of the resource 2021 https://artevirtual.zamorano.edu/files/original/e6e777cfb8c46ba6470e061c83bd83a6.png 7309ceba3aeee1c0ce46e1d3c63ddda1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Del alma de una mujer Description An account of the resource Keyla Morel, nació en 1974 en Tegucigalpa, Honduras, donde cursó todos sus estudios hasta obtener su Licenciatura en Mercadotecnia en Unitec. Posteriormente en 1997 incursionó en el arte, siendo denominada artista autodidacta y desarrollando una exposición permanente en la galería Tríos ubicada en Tegucigalpa. Su especialidad en la pintura son los rostros, donde predominan las mujeres y los niños y por esto es considerada retratista; destaca que plasmar rostros se dio de manera natural desde su primera infancia; de alguna forma y tal vez por la influencia de su madre y otras figuras femeninas, ella perfeccionó la técnica de dibujar y luego se enfocó en pintar mujeres y niños. Al inicio, creó muchas obras que reflejaban la sociedad hondureña de una manera bastante gráfica; recurriendo a modelos de raza negra de la etnia Garífuna (un grupo de afrodescendientes que habitan en la costa norte de Honduras) e indígenas, sobre todo a los Lencas que habitan en la zona del departamento de Intibucá. En sus obras es posible contemplar los colores tropicales con los que siempre ha estado en contacto por vivir y crecer en un país tropical, donde la mayoría del arte local está lleno de tonos cálidos y alegres. Sin embargo, ha añadido a su trabajo una combinación de acrílicos, pinturas fluidas, óleo soluble en agua y algunos elementos como la lámina de oro y la de plata para darle un sentido de realeza, dignidad y valor a las figuras que plasma con su pincel, donde confluyen varios estilos tanto figurativos como del realismo mágico, por tanto, el arte de ella no puede encasillarse en un solo rubro. En cuanto a exposiciones, Keyla ha participado a nivel nacional e internacional en distintos certámenes: en Honduras (1997, 2000, 2001, 2004, 2018 y 2019), El Salvador (2001, 2004), Estados Unidos (2003, 2005 y 2015), Brasil (2008), Taiwán (2009), Corea (2009) República Dominicana (2017), Austria (2018, 2020), Italia (2019), República Checa. (2019), La India (2020). En la Exposición de Corea, fue seleccionada para formar parte del compendio de artistas contemporáneos de Latinoamérica en representación de Honduras. Actualmente es miembro de la Academia Mundial de Arte, se desempeña como columnista del diario La Tribuna en Honduras y es propietaria y directora de la Academia de Arte Keyla Morel. Creator An entity primarily responsible for making the resource Keyla Morel Date A point or period of time associated with an event in the lifecycle of the resource 2020 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Obra de arte Physical Dimensions The actual physical size of the original image 40 x 60 pulg. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madre en todos los tiempos Creator An entity primarily responsible for making the resource Keyla Morel Date A point or period of time associated with an event in the lifecycle of the resource 2020 https://artevirtual.zamorano.edu/files/original/7b9b7c10a3813f4766a1e251ea1633f8.jpg 961acffbe054ac8995b1bfbd72008caa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mis Tierras, Mis Raíces Creator An entity primarily responsible for making the resource Josue Venegas Date A point or period of time associated with an event in the lifecycle of the resource 2024 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrilico sobre lona Physical Dimensions The actual physical size of the original image 21 x 25 pulg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Madre Tierra Creator An entity primarily responsible for making the resource Josue Vanegas https://artevirtual.zamorano.edu/files/original/9fb997150775a7e1c367ddf18954c653.jpeg e849ebed074315beadc4fc3732eed691 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Lo Mejor de Zamorano Description An account of the resource La exposición fotográfica “Lo mejor de Zamorano” surge como un homenaje al legado de Wilson Popenoe, en conmemoración del 134 aniversario de su natalicio. A través de esta iniciativa, se buscó fomentar en la comunidad zamorana una mirada más atenta, sensible y crítica hacia su entorno, promoviendo el aprecio, la observación y la documentación visual del campus. Las obras presentadas reflejan la riqueza natural, cultural y académica de Zamorano, capturando momentos, espacios y experiencias que dan vida al modelo educativo integral impulsado por Popenoe. En particular, las fotografías destacan elementos esenciales de la vida universitaria como el aprender haciendo, la convivencia estudiantil y los paisajes que caracterizan el entorno zamorano, evidenciando la conexión entre formación, comunidad y naturaleza. Esta exposición invita al espectador a redescubrir Zamorano desde nuevas perspectivas, reconociendo en cada imagen no solo su belleza, sino también su historia, identidad y compromiso con la excelencia. Creator An entity primarily responsible for making the resource Dara Virginia Landa Ramos Carlos Daniel Collart Vasquez Rene Estanislao Cortez Moreno Carlos Ivan Zelaya Valeriano Javier Enrique Soto Ortega Daniel Ernesto Huezo Herrera Elias Salvador Alcantara Leandro Alberto Cazun Agreda Gabriel Mateo Henríquez Hernández Mariana Olivia Castillo Chavarría Alex David Vasquez Gonzales Erick Mauricio Figueroa Santin Maira Belen Fernández Perdomo Eriksson Josue Martínez Lazo José Ruben Alvarado Dulce María Fuentes Villeda Santiago Peña Juárez Patricio Alessandro Mera Redroban Daniela Cristina Oses Flores Jennifer Vanessa Martínez Valle Jorge Alexis Villar Gonzalez Nadia Angelina Toj Solval Valeria Yang Mejia Billy Armando José Flores Guerra Andrés De Jesús Cruz Sosa Kellyn Elizabeth Reyes Calderon Fernando Gabriel Moreno Henríquez Francis Gezziel Amaya Ponce Israel Isaac Fuentes Chicas Miguel Rodrigo Murillo Soto Camila De Jesus Agreda Ugarte Arianna Matamoros López Daniela Lucia Tejada Hernández Jonathan Jadiel García Chinchilla David Alejandro Cepeda Freire Liz Ester García Ramos Date A point or period of time associated with an event in the lifecycle of the resource 2026 Contributor An entity responsible for making contributions to the resource Club de Fotografía Decanatura Asociada de Estudiantes Biblioteca Wilson Popenoe Rights Information about rights held in and over the resource Las fotografías son propiedad de sus respectivos autores. Su uso, reproducción o distribución total o parcial requiere autorización previa. Universidad Zamorano. Format The file format, physical medium, or dimensions of the resource Digital Language A language of the resource spa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manos en la tierra, futuro en construcción Description An account of the resource Esta imagen representa el trabajo de campo, complementario a la belleza del paisaje. Con las manos metidas en la tierra aprendemos a escuchar al campo, en cada surco dejamos esfuerzo, en cada trabajo sembramos propósito. “Lo que sembramos hoy es lo que cosechamos mañana”. Creator An entity primarily responsible for making the resource Miguel Rodrigo Murillo Soto Date A point or period of time associated with an event in the lifecycle of the resource 2026 Format The file format, physical medium, or dimensions of the resource Fotografía digital Type The nature or genre of the resource Photograph https://artevirtual.zamorano.edu/files/original/8953a8d8bdfccfe34f94ee0ba2050744.jpg 80d119d6e9b986ab9079382d2100ac3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Art on Campus Publisher An entity responsible for making the resource available Escuela Agrícola Panamericana, Zamorano Date A point or period of time associated with an event in the lifecycle of the resource 2020 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Manto Celestial Creator An entity primarily responsible for making the resource David Vasquez Date A point or period of time associated with an event in the lifecycle of the resource 2020 https://artevirtual.zamorano.edu/files/original/e60a0bccd9bb6c5aeb2d69de4dc6a62d.jpg d53bbbb19fb5056949d6ffaa1bcb990a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mis Tierras, Mis Raíces Creator An entity primarily responsible for making the resource Josue Venegas Date A point or period of time associated with an event in the lifecycle of the resource 2024 Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrilico sobre lona Physical Dimensions The actual physical size of the original image 8 x 10 pulg Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maraita Creator An entity primarily responsible for making the resource Josue Vanegas